The Barovier family furnace / has molded glass on Murano
for nearly two hundred years, since 1291 / when the Venetian government
required that all furnaces move / to my island home.
My rating: 2 of 5 stars
When Maria was just an infant, her father declared that she would one day marry a nobleman, even though such a fate should rightfully belong to her elegant older sister, Giovanna. Maria would much rather learn to blow glass in the family fornicas, but that work is for men only, even after her father’s death and the onset of financial trouble for the family. Trapped by tradition at 15, can Maria simply ignore her feelings forever, especially the feelings she has for the orphaned young glassblower who has joined the family business?
Fifteenth-century Murano provides the historical backdrop for this story of two sisters caught between what they wish they could do and what they feel they must do. Hemphill’s prose poems are full of fine details, but they never capture the intensity of emotion Maria ought to feel. Rather than bringing the reader closer to Maria – as in Caroline Starr Rose’s May B. – the terse narrative leaves the reader distant from the action. The form works in May B. precisely because May is alone for most of the novel; the poems read as her thoughts rather than as formal writing, particularly because the reader knows May isn’t actually writing anything down. Maria, on the other hand, is surrounded by people, and her interactions with them lose immediacy as conversations are rendered
in short bursts
rather than as
Despite this weakness, the unusual setting, the timeless themes of sibling rivalry and familial duty, and the star-crossed romance (with its slightly-too-convenient conclusion) are sure to appeal to more than a few tweens and teens looking for something light and lovely.
On shelves March 27, 2012.
A light and lovely novel-in-verse for t(w)een fans of historical romance.
E-ARC via NetGalley, provided by the publisher by request